Let the Music Start (Soundscape in Blue)
This is from my screenplay series which tells the story of a girl weaving through the contemporary art and music worlds involving a convoluted game.
I like the idea of media being used out of place. i.e. coverage from my screenplay, "The double-reflexivity (radio reflecting Lila's life and Lila's life reflecting the script to be a movie..." and the script being carried on in an art dialogue.
My first inspiration was artist Allan McCollum.I'm also inspired by the work of Douglas Gordon. I love how his film installation at MOCA created the rhythm of a musical round with the timing of the same film piece as a triptych. Also, the British artist Fiona Banner's work of painted words has freed my mind.More of my script's coverage by Bigel/ Mailer Production Company in NYC: "The script becomes hyper reflexive. Lila talks about her life as a script, "Is this the balcony scene?"..."
I'm continuing work on my mixed media pieces and working on a screenplay relating to art & music. A new series developing combines both entitled "Reconstructed Soundscapes". I am interested in the overlap of disciplines like art, music, writing. Synesthesia interests me. What if what you see isn't what everyone else is seeing?
Sunday, September 1, 2013
Let the Music Start (Soundscape in Blue)
Let the Music Start (Soundscape in Blue)
This is from my screenplay series which tells the story of a girl weaving through the contemporary art and music worlds involving a convoluted game.
I like the idea of media being used out of place. i.e. coverage from my screenplay, "The double-reflexivity (radio reflecting Lila's life and Lila's life reflecting the script to be a movie..." and the script being carried on in an art dialogue.
My first inspiration was artist Allan McCollum.I'm also inspired by the work of Douglas Gordon. I love how his film installation at MOCA created the rhythm of a musical round with the timing of the same film piece as a triptych. Also, the British artist Fiona Banner's work of painted words has freed my mind.More of my script's coverage by Bigel/ Mailer Production Company in NYC: "The script becomes hyper reflexive. Lila talks about her life as a script, "Is this the balcony scene?"..."
I'm continuing work on my mixed media pieces and working on a screenplay relating to art & music. A new series developing combines both entitled "Reconstructed Soundscapes". I am interested in the overlap of disciplines like art, music, writing. Synesthesia interests me. What if what you see isn't what everyone else is seeing?
